È per rinascere che siamo nati, 2020
Gabriela Aleksandra Szuba  

Painting : acrylic, chalk, mixed media · 100 x 150 x 4 cm 39.4 x 59.1 x 1.6 inch · Ready to hang

€4,000 4 000 €

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Shipped from: Italy

Delivery to: France , € 150

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

100 x 150 x 4 cm 39.4 x 59.1 x 1.6 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2025

Description

On the sculpted surfaces, shades of grey and taupe settle like thin veils, landscapes suspended between memory and oblivion. The material holds the scars of time, but not as wounds — rather as traces necessary for return.

In this neutral stillness, every mark becomes a seed,
every crack a threshold,
every layer of color a breath waiting to unfold.

È per rinascere che siamo nati does not tell of an ending, but of the beginning that follows silence:
the certainty that within the shadow, light is already preparing itself,
and that from apparent stillness, a new gesture is born.

Here, painting becomes a ritual of regeneration:
matter turns into voice,
and voice becomes a promise of life.

Gabriela Aleksandra Szuba, È per rinascere che siamo nati
Italy  • 1974

Presentation

Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.

Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.

Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.

Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.

Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.

Reviews from our customers

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