Il portale delle tre ottave, 2015
Gabriela Aleksandra Szuba  

Painting : acrylic, chalk, paper, canvas, mixed media · 70 x 70 x 3.5 cm 27.6 x 27.6 x 1.4 inch · Ready to hang

€1,800 1 800 €

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Shipped from: Italy

Delivery to: Italy , € 70

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Dimensions ( cm • inch )

70 x 70 x 3.5 cm 27.6 x 27.6 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

The Portal of the Three Octaves is a passage between matter and vibration, a suspended place where the colors of the earth — deep browns, warm yellows, and intense ochre — create a landscape of energy and memory. Modeling paste, acrylic, and paper intertwine in layers and reliefs that seem to vibrate to the rhythm of a secret music, as if each material gesture were a note and each chromatic nuance a chord.

The layered surfaces speak of transformation and of the hidden harmony between chaos and order, inviting the gaze to follow invisible paths and to perceive the inner resonance that unites all elements. The Portal of the Three Octaves thus becomes a space of passage, a point where the visible world and the inner one meet, and where every observer can listen to the silent melodies of the soul.

Gabriela Aleksandra Szuba, Il portale delle tre ottave
Italy  • 1974

Presentation

Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.

Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.

Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.

Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.

Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.

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