The first void, 2025
Painting : acrylic, chalk, mixed media · 100 x 70 x 4 cm 39.4 x 27.6 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 232
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
acrylic , chalk , mixed media on canvas
Dimensions ( cm • inch )
100 x 70 x 4 cm 39.4 x 27.6 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
In the silence of cracked black, the first threshold opens: the primordial void.
It is not absence, but necessary space — a womb where the soul recognizes and measures itself.
The fractures become traces of an inner journey, signs of a search that does not destroy but reveals.
Within this primal emptiness, the essential takes shape: what remains, what endures, what has always lived within us.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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