Ai confini della creazione, 2015
Painting : acrylic, chalk, paper, canvas, mixed media · 70 x 100 x 4 cm 27.6 x 39.4 x 1.6 inch · Ready to hang
€2,200
2 200 €
Shipping & delivery
Shipped from: Italy
Delivery to: Italy , € 100
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 100 x 4 cm 27.6 x 39.4 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
At the Boundaries of Creation belongs to the cycle and is born from the encounter between matter and intuition. On canvas, modeling paste, acrylic, and paper intertwine in vibrant layers, creating surfaces that seem to breathe and transform. Forms emerge like suspended memories, delicate maps of worlds in the making, where chaos and order brush against each other without ever fully merging.
Each relief, each fragment of paper introduces a web of possibilities: small ephemeral universes that invite the gaze to get lost, to discover hidden sensations between color and matter. The work thus becomes a place of waiting and revelation, a space where the boundary between creation and creator becomes thin, and the observer is called to feel the secret breath of the Goddess dwelling in everything.
Presentation
Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.
Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.
Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.
Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.
Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.
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