La Princesse des Glycines – panneau 8, 2016
Alain Abramatic  

Painting : oil, collage · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€1,360 1 360 €
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Shipped from: France

Delivery to: France , € 100

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Description

The Wisteria Princess – Panel 8 is part of a series of mountain landscapes and is the eighth of ten paintings illustrating the eponymous tale. Created in 2016, this work is an oil painting enhanced with sand collage on canvas, measuring 50 × 70 cm. The composition evokes a mountain landscape treated in a refined and suggestive manner, in the spirit of Chinese landscape painting. Architectural and natural forms appear on the verge of abstraction, as if suspended in a silent space. The blue-gray and light ochre masses unfold in a play of transparencies and overlays that allow the light background of the canvas to breathe. The sand, used sparingly, introduces a mineral texture reminiscent of steep paths and the ruggedness of the terrain. The oil paint, applied with broad and light strokes, suggests more than it describes, leaving the viewer free to reconstruct the landscape. In this series, conceived as a narrative scroll five meters long and seventy centimeters high, each panel functions as a visual breath within the story. This eighth panel corresponds to a moment of inner tension and turning point: the landscape becomes a mirror reflecting the main character's moral journey, oscillating between anxiety, confidence, and hope. Through its economy of means, its deliberate use of white space, and its graphic rhythm, The Princess of Wisteria – Panel 8 invites a slow and contemplative reading, where the landscape becomes a bearer of meaning as much as of silence.

Architecture

figurative

Buildings

Semi-abstract

Dark blue

Alain Abramatic, La Princesse des Glycines – panneau 8
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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