La princesse des glycines – panneau 1, 2016
Alain Abramatic  

Painting : oil, collage, sand · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€1,360 1 360 €
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Shipped from: France

Delivery to: France , € 100

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Description

This first panel sets the scene in the small town of Lu-Lung, at the foot of a mountain. The space is tight, marked by the proximity of the dwellings, which seem to cluster together to withstand the cold. The composition favors simple, closely packed forms. The volumes are organized in a compact balance, suggesting a place where everything is close and lives intersect. The medium, enriched by sand, introduces a dry and irregular texture that evokes the harshness of the climate and the modesty of the setting. The brushwork remains measured, leaving areas of silence. The overall effect establishes a stable starting point: a constrained yet inhabited environment, where the human presence exists in a discreet balance with the forces of nature.

figurative

Mountain landscapes

Landscape

Beige

Sky blue

Alain Abramatic, La princesse des glycines – panneau 1
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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