Finn, 2019
Alain Abramatic  

Painting : oil, collage · 80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch · Ready to hang

€2,360 2 360 €
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Shipped from: France

Delivery to: Germany , € 240

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch Height x Width x Depth

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Description

With Finn, Alain Abramatic chooses the stark simplicity of a single-handed dinghy to embody the intensity of regatta racing. The square format focuses attention on the direct relationship between the sailor, their sail, and the force of the wind, with no mediation other than the balance of the body and the tension of the rigging. The sail, a large, taut surface, captures the light and reveals the layers created by the collage and the superimposition of oil paints. The irregular textures, blending smooth areas with rougher materials, convey the air pressure and the constant vibration of the boat. The slender hull seems to slice through the water with precision, while fluid lines suggest the speed and instability of the water's surface. The palette, dominated by nuanced whites, grays, and subtle ochres, establishes a luminous and tense atmosphere. The sailor, integrated into the structure of the boat, becomes the anchor point of a whole subject to the elements. Through this work, the artist explores the human impulse in the face of the power of natural forces in its most direct form: a lone man, physically engaged, seeking balance and precision to transform the constraint of the wind into controlled movement.

Everyday life

Sport

Seascape

Sailboat

Boat

Beige

Grey

Alain Abramatic, Finn
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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