Finn, 2019
Painting : oil, collage · 80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 240
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
With Finn, Alain Abramatic chooses the stark simplicity of a single-handed dinghy to embody the intensity of regatta racing. The square format focuses attention on the direct relationship between the sailor, their sail, and the force of the wind, with no mediation other than the balance of the body and the tension of the rigging. The sail, a large, taut surface, captures the light and reveals the layers created by the collage and the superimposition of oil paints. The irregular textures, blending smooth areas with rougher materials, convey the air pressure and the constant vibration of the boat. The slender hull seems to slice through the water with precision, while fluid lines suggest the speed and instability of the water's surface. The palette, dominated by nuanced whites, grays, and subtle ochres, establishes a luminous and tense atmosphere. The sailor, integrated into the structure of the boat, becomes the anchor point of a whole subject to the elements. Through this work, the artist explores the human impulse in the face of the power of natural forces in its most direct form: a lone man, physically engaged, seeking balance and precision to transform the constraint of the wind into controlled movement.
Presentation
Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate.
Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.
Reviews from our customers
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