La princesse des glycines – panneau 4, 2016
Alain Abramatic  

Painting : oil, collage, sand · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€1,360 1 360 €
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Shipped from: France

Delivery to: Italy , € 160

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

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Description
This panel introduces a pivotal moment. The landscape narrows around a passage, dominated by massive, curved forms that close off the space. The composition is built on a tension between enveloping volumes and a more fragile path. The eye moves with difficulty, as if constrained by the environment. The materials remain light yet contrasting. Sand provides points of contact, while washes dilute certain areas, creating uncertain passages. The whole suggests a journey under constraint, an exposed progression where human presence becomes secondary to an environment that imposes its own rules.

figurative

Mountain landscapes

Landscape

Beige

Sky blue

Alain Abramatic, La princesse des glycines – panneau 4
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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