Still life for bird temple #5, 2016
Mark Gaskin  

Painting : wax, copper · 53.3 x 61 x 5.1 cm 21 x 24 x 2 inch

$4,000 4 000 $US

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

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Signature

Hand-signed by artist

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Dimensions ( cm • inch )

53.3 x 61 x 5.1 cm 21 x 24 x 2 inch Height x Width x Depth

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Description

This artwork captures a vivid, surreal scene on a richly textured canvas. Dominating the composition is an oversized bird, intricately detailed with a vibrant plumage that swoops gracefully across the piece. To its left, a human figure extends a hand towards the bird, creating a connection between the two central elements. The background features abstract shapes and symbols, including a large pomegranate and ancient pottery, juxtaposed against a palette of warm pastels and earthy tones. The blend of elements suggests a dialogue between nature and humanity, infusing the piece with an enigmatic narrative. Delicate floral motifs frame the scene, adding depth and complexity. This artwork masterfully combines realism with abstract themes, forcing viewers to engage with its symbolic interplay and inviting reflection on the coexistence of diverse worlds.

Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco painting.

Still Life

Animal

Birds

brown

Sky blue

Mark Gaskin, Still life for bird temple #5

Mark Gaskin

Canada  • 1956

Presentation

Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco painting. Gaskin deploys a number of methods and materials to achieve his surfaces, among them rolling up canvases prepared with gesso that's dried to create craquelure. He then mixes his paints with wax to soften bright pigments – a technique known as encaustic. His subtle, appealing palette of waxen pastel colors and his contemporary subject matter then 'fades' into what one could call 'faux-ancient' painting grounds to mimic the effect of dreamscapes or misty places in the mind's eye. The soft, cloud-like aura of his works is gentle to view, as if softened by the fog of time and indelible memory. He captivates us with today's imagery, while alluding to the great, classic art of the past – Gaskin, thereby original in his message and method.

The work of Mark Gaskin is welcome proof, if any were needed, that painting is and remains a major form of art in the waning days of the twentieth century. - Leo Rosshandler, I.A.A.C. Curator Emeritus, Musee des Beaux Arts, Montreal, March 1997

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