Still life for bird temple #9, 2016
Mark Gaskin  

Painting : wood, wax · 53.3 x 61 cm 21 x 24 inch

$4,000 4 000 $US

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About the artwork

Type

Painting : Unique artwork

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Artwork sold in perfect condition, not framed

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Hand-signed by artist

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Dimensions ( cm • inch )

53.3 x 61 cm 21 x 24 inch Height x Width x Depth

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Description

This artwork presents a vivid tapestry of surreal elements, skillfully combining natural and fantastical themes. Dominating the scene is a large blackbird, symbolizing mystery and transformation, perched alongside an oversized red apple that signifies temptation or knowledge. To the right, a figure clad in rustic attire gestures towards a whimsical birdhouse, suggesting a narrative of connection, curiosity, or perhaps a call to a forgotten home. The background is washed in soft blues, setting a tranquil yet contemplative mood. The border features intricate floral details, blending organic life with the central motifs, and adds depth to the piece. The use of texture is pronounced, lending the work a layered complexity that invites the viewer to explore beyond the surface. This composition brilliantly captures the interplay between reality and imagination, making it an intriguing focal point for reflection and discussion.

Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco painting.

 

Still Life

Birds

Sky blue

Mark Gaskin, Still life for bird temple #9

Mark Gaskin

Canada  • 1956

Presentation

Mark Gaskin is a post-Modern painter who blends the effects of ancient fresco and mural art with contemporary subject matter. His fascinating technique – in which his painting surfaces are purposefully distressed – conjures the textures of prehistoric cave painting, ancient Roman painting, and Renaissance fresco painting. Gaskin deploys a number of methods and materials to achieve his surfaces, among them rolling up canvases prepared with gesso that's dried to create craquelure. He then mixes his paints with wax to soften bright pigments – a technique known as encaustic. His subtle, appealing palette of waxen pastel colors and his contemporary subject matter then 'fades' into what one could call 'faux-ancient' painting grounds to mimic the effect of dreamscapes or misty places in the mind's eye. The soft, cloud-like aura of his works is gentle to view, as if softened by the fog of time and indelible memory. He captivates us with today's imagery, while alluding to the great, classic art of the past – Gaskin, thereby original in his message and method.

The work of Mark Gaskin is welcome proof, if any were needed, that painting is and remains a major form of art in the waning days of the twentieth century. - Leo Rosshandler, I.A.A.C. Curator Emeritus, Musee des Beaux Arts, Montreal, March 1997

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