Le chant de la Sirène, 2021
Laurent Anastay-Ponsolle  

Painting : oil, acrylic, pastel · 50 x 65 x 0.1 cm 19.7 x 25.6 x 0 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 65 x 0.1 cm 19.7 x 25.6 x 0 inch Height x Width x Depth

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Vetted seller since 2021

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Description
Work inspired by her collaboration with contemporary dancer Lisa Langlois.

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: feelings are his favorite exploration territory. From conception he goes where his instinct guides him. He prefers to photograph his model from different angles to choose what interests him in a pose, rather than transcribing its primary truth.

An obsession, the hands. Possessive, fragile or powerful, sensual or even anonymous, they emerge like specters to capture the attention and to give the essence of the emotional charge of the composition.

Nude

Portrait

figurative

Human body

Dancer

Expressionism

Sensuality

Mermaid

Laurent Anastay-Ponsolle, Le chant de la Sirène
France  • 1982
128 followers

Presentation

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth. 

An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.

Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.

To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.

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