"Transition" abstrait acrylique résine sur lin 100x100cm 2021, 2021
Painting : acrylic · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch
CHF 4,044
4 044 CHF
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Shipped from: France
Delivery to: Switzerland , CHF 121
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The canvas divides into two quite distinct movements: on the left, a density of almost nocturnal blues, violets and indigos, heavy with material; on the right, a gradual brightening of luminous whites and beiges, where the texture itself seems to settle.
Between the two, a diagonal of light traces the passage from one to the other. I link this composition directly to the experience of dreaming: I voice my amazement at the imagination we are able to unfold when we dream.
It is precisely this shift that I wanted to paint — not the dream itself, nor the awakening, but the fragile moment that separates them. The moment when you leave that dream and open up to the awareness of the coming day is a pleasant stage of transition when you love your everyday life.
This last point changes everything: the clarity that gradually spreads across the canvas is therefore not the relief of escaping a nightmare, but on the contrary a form of happy continuity between two states of consciousness.
Transition thus captures that brief moment we pass through every morning without paying attention, and which I, for my part, choose to look squarely in the face.
Presentation
The Breton light as a loom
There are artistic lives that are built in a straight line, and then there is that of Emmanuelle Vroelant, made of bifurcations that, each time, have led her a little further. Born in 1952, she studied clinical psychology, then a 5-year trip, which leads her to Vanuatu and towards painting: on site, two decisive encounters reveal within her a vocation that will never leave her. She exhibits for the first time in 1978, on the other side of the world.
Back in Paris, she opens her first studio in 1981 and exhibits for four years in a row at the Salon d'Automne. Different exhibitions in Paris and the provinces will follow. The inauguration of a gallery in New York will lead her to China.
A period of illness then distances her from the canvas, and she becomes a psychoanalyst and Art-therapist for several years, a parenthesis that undoubtedly refines her view of creation.
The real second breath arrives in 2006, when she leaves Paris to settle in Brittany, in Roscoff. The light of the Finistère coast becomes her raw material, and she finds a creative intensity that will carry the rest of her work.
What strikes her is the frankness with which she embraces her influences without dissolving into them: Michelangelo, Vermeer, Kandinsky, Soulages. But it is Zao Wou-Ki whom she designates as her "true pictorial encounter," the one who showed her how silence and color could together inhabit the space of the canvas.
From this dialogue with the masters, a language of her own was born, "suggestive abstraction": large formats where the material — marble powder, mortar, collage, plant fibers — becomes the subject itself, carried by a demand for simplicity that is ever more radical. "Say more with less," as she likes to put it.
Today represented by the gallery Art and Heart and present on the major online art platforms, Emmanuelle Vroelant's works travel far beyond French borders: USA, Australia, Sweden, Switzerland, Germany, Greece, Italy, England, Saudi Arabia…
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