Macanudo. From the Durero series, 2018
Painting : Textiles, cotton, embroidery · 109.2 x 88.9 x 0.3 cm 43 x 35 x 0.1 inch
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Shipped from: Argentina
Delivery to: United States , $ 350
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Textiles , cotton , embroidery on canvas
Dimensions ( cm • inch )
109.2 x 88.9 x 0.3 cm 43 x 35 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
In this captivating artwork, geometric precision and vibrant colors converge to create a visually arresting composition. A striking three-dimensional grid of squares in a spectrum of colors—ranging from bold blues and greens to warm reds and yellows—draws the eye instantly. This structured array contrasts sharply with the intricately detailed black circle adjacent to it, adorned with ornate, interconnected white linework that evokes a sense of infinite complexity and balance. At the heart of this circle lies a solid black rectangle, anchoring the work with stark simplicity. Notably, a small numeral "16" adds an intriguing element to the piece, inviting contemplation of its significance. The artwork's juxtaposition of chaotic yet orderly elements challenges the viewer’s perception, seamlessly blending modernity with traditional motifs. The clever use of spatial configuration and color theory accentuates its dynamic yet harmonious nature, making it a thought-provoking visual experience.
Macanudo, 2018 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 110 cm H x 90 cm W Unframed.
Ana Seggiaro's training as an engraver awakens her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other media and to appropriate and dialogue with the works of these artists. This conversation, however, does not start from a solemn, pristine, or untouchable place, but from the recognition of her virtues, thus allowing her to operate, rebuild, eliminate, and retouch fragments to compose her own work. Starting from pre-existing works of hers, Seggiaro builds a kind of mimicry of the original pieces in an exercise of visual reconstruction that she uses as a structure for her production. But the works are just that, states altered by her gaze that resemble, without repeating, the original piece.
Presentation
Tending relations between geographically distant cultures and, at the same time, stressing the temporal gap that separates them, is the meaning of Ana Seggiaro's work, based on the engravings of Alberto Dürer, Piranesi and Albinus.
For the artist, European art is the paradigm that she has built, from that training she has resignified her works, submitting them to her consideration and leaving an embroidered mark that marks a different path from the one originally created.
In the process of creation, she takes the images that interest her, investigates its history, answers questions such as what the artist wanted to say or if she simply made it by chance. The next thing is to photograph it and modify it digitally, either by adding color or removing details to create a collage. Once the final image has been decided, a print is made on fine art canvas to begin the hand embroidery process. In the last year, in addition to embroidering, she has decided to paint over the image.
Ana Seggiaro was born in Buenos Aires, Argentina. Initially pictorial in nature, in its different stages, her work was exploring and incorporating new materials and media that complemented the oil and engraving that are the basis of its origin. She graduated in drawing and engraving from the Prilidiano Pueyrredón National School of Fine Arts in 1988.
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