N° 1168 Rochefort. L’admirable J.V. P.L., 2021
R. Cavalié  

Painting : oil · 50 x 61 x 2 cm 19.7 x 24 x 0.8 inch

€480 480 €
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Shipped from: France

Delivery to: France Free delivery

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 61 x 2 cm 19.7 x 24 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

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Vetted seller since 2021

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Description
J. V is Titi Carabi because only 1.63 m. He is represented here in his professional uniform and also, completely naked.
PL, the so-called first French travel writer, shares his passion for horns and costumes. Julien Viaud≡Pierre Loti also liked Cadet Rousselle because he did not hesitate to enlarge his birthplace which actually has three houses. It is called La maison de Pierre Loti. The artist, unconditional as much for the academician as for the draftsman, has never been able to realize his dream of visiting it because it is always and still being repaired.

Nude

Portrait

Realism

Fictional Character

Black

orange

R. Cavalié, N° 1168 Rochefort. L’admirable J.V.   P.L.

R. Cavalié

France  • 1944
184 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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