N° 997 Le Renard et les Poulets d'Inde, 2016
R. Cavalié  

Painting : oil · 73 x 50 x 2 cm 28.7 x 19.7 x 0.8 inch

$700 700 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

73 x 50 x 2 cm 28.7 x 19.7 x 0.8 inch Height x Width x Depth

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Description
Against the assaults of a Fox.
A tree with turkeys served as a citadel.
The perfidious one, having gone all around the rampart
And saw everyone on guard,
Cried out, "What! These people will laugh at me!
They alone shall be exempt from the common law!
No, by all the Gods! No. " He fulfilled his saying.
The moon, then glowing, seemed, against the sire,
To favour the turkey gent.
He, who was a novice in the profession of besieger,
Had recourse to his bag of wicked tricks,
Pretended to want to climb up, and stood on his feet,
Then counterfeited the dead, then the resurrected.
Harlequin would not have executed
So many different characters.
He raised his tail, he made it shine,
And a hundred thousand other tricks.
During which no turkey would have dared to slumber:
The enemy wearied them by holding their sight
On the same object always stretched.
The poor people being in the long run dazzled,
There was always someone who fell: as many were taken,
As many as are set apart; nearly half succumb.
The companion carries them in his pantry.

The too much attention for the danger
Most often makes that one falls there.

Jean DE LA FONTAINE Les Fables. Book XII (1693).

Landscape

Animal

Ballet

Poetry

Realism

Dream

Trees

Dark blue

R. Cavalié, N° 997  Le Renard et les Poulets d'Inde

R. Cavalié

France  • 1944
184 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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