Red Cornfield, 2013
Painting : oil · 120 x 200 x 2 cm 47.2 x 78.7 x 0.8 inch
Shipping & delivery
Shipped from: Ukraine
Delivery to: Italy , € 390
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 200 x 2 cm 47.2 x 78.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In Red Cornfield, Alexander Levich returns to a motif that appears repeatedly throughout Twenty Minutes of One Evening: the agricultural landscape encountered during a brief drive through the countryside. Yet while many landscape painters focus on topography or detail, Levich is interested in something less tangible. He seeks to preserve the emotional impression left by a place rather than its precise appearance.
The composition is remarkably economical. A broad field occupies most of the canvas, meeting a distant horizon beneath an uninterrupted sky. The simplicity of the structure directs attention towards the painting’s principal subject: colour. Rich orange and red tones dominate the vegetation, creating a vibrant surface that seems to shimmer with light and energy. Against the cool blue sky, these warm colours generate a dynamic visual dialogue that transforms the landscape into something far more expressive than a straightforward depiction of nature.
This emphasis on colour connects the work to traditions of Colourism and twentieth-century expressive landscape painting. The emotional role assigned to colour recalls certain aspects of Fauvism, while the simplified structure and broad chromatic fields invite comparison with artists such as Nicolas de Staël. Levich similarly allows colour relationships to carry much of the painting’s emotional meaning, reducing the landscape to its most essential visual components.
At 120 × 200 cm, the painting possesses a commanding physical presence. Its scale allows the viewer to experience the landscape almost bodily, surrounded by waves of colour extending beyond the edges of the canvas. Within the broader context of Twenty Minutes of One Evening, Red Cornfield demonstrates how an ordinary scene can become extraordinary through attentive observation and artistic transformation.
Presentation
“What is the most important in our life? Definitely it is not a material world that surrounds us. It is our inner world! Art is a key that opens that world for us. If you follow that path, you will learn how to see, not how to look, but how to SEE. I try to cover the true meaning with my artwork. Art is an instrument of communication, a field for your thoughts. The question is always deeper than the answer. And the answer is something for you to find by yourself. My paintings will only guide you through the pathway of your own thoughts. I attempt to offer you a joy of communication with yourself, your inner world, a luxury of harmony and solitude." Alexander Levich
Alexander was born in 1963 in Kyiv, Ukraine. In 1987 he graduated from painting faculty of the Kyiv Art Academy, workshop of Professor A.M. Lopukhov. Since 1990 he is a member of the National Union of Artists of Ukraine. Alexander's artworks may be divided into two periods.
The first period that lasted for over 20 years after his graduation from the Academy of Arts, from early 90th and up to 2010, was focused on the search of something new and unusual. He was experimenting with different styles, techniques, and themes. This is how Alexander arrived at a style that is abstract, as it does not depict anything that we know or what our eyes are used to, at the same time it is also, to certain extent, a figurative art, as it shows certain fantasy objects, inspired by classical music and literature, sea travels and explorations, love and friendship… Alexander calls that style an “Intellectual Abstraction" and promises that he will return to it someday.
Around 2010 Mr. Levich decided to go against the mainstream of abstractionism and turned to realistic artworks that are pleasant and comforting for the eyes, yet, contain a deeper meaning that provides our mind with a field for thoughts and “a joy of communication with yourself, your inner world, a luxury of harmony and solitude".
Events and Exhibitions:
Paintings of Alexander Levich are often exhibited in various galleries. His paintings are included in public collections of Ministry of Culture of Ukraine, Directorate of the Artists Union of Ukraine, Zaporizhya Arts Museum, Museum of History of City of Kyiv, and Modern Art Museum of Dnipro. Alexander's artworks are also in numerous corporate and private collections around the world, in particular USA, Germany, Switzerland, Sweden, Russia, Japan, etc.
Alexander Levich is a co-author (together with Akim Levich and Yuriy Paskevych) of the monument "Menorah", erected in 1991 at Babi Yar (a ravine in the Ukrainian capital Kiev) to commemorate Jews that were executed in 1941 on the scene of possibly the largest shooting massacre during the Holocaust. Alexander is also an author of monument “For the Inmates of Syretsky Camp", erected in 1991 to commemorate those imprisoned in this Kyiv sub-camp of Sachsenhausen during the Second World War. In 1992 Alexander Levich was a co-author (with Alexander Karunskiy) of the memorial sign “In Memory of Alexey Grischenko" in Punta del Este, Uruguay.
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