Little Town, 2013
Painting : oil · 120 x 200 x 2 cm 47.2 x 78.7 x 0.8 inch
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Shipped from: Ukraine
Delivery to: United States , $ 525
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 200 x 2 cm 47.2 x 78.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In Little Town, Alexander Levich transforms a brief roadside glimpse into a meditation on distance, memory and observation. Created as part of Twenty Minutes of One Evening, the painting reflects the artist's interest in discovering beauty within the fleeting moments encountered during an ordinary journey through the countryside. Rather than presenting a destination, the work captures a landscape seen in passing, suspended between appearance and disappearance.
A small settlement stretches across the horizon beneath a vast sky. The red roofs form a delicate rhythmic line against soft green fields and pale blue atmosphere. Although the town occupies only a small portion of the canvas, it becomes the emotional centre of the composition. The surrounding openness reinforces its isolation, creating a sense of calm and quiet contemplation. Closer examination reveals subtle clues that the scene is being viewed from inside a moving car. Elements at the lower edge and upper corner act as reminders that this is not a static landscape but a moment observed in transit.
The painting recalls traditions of lyrical landscape painting and artists such as Pierre Bonnard, whose works often transformed remembered observations into atmospheric compositions. There are also affinities with Nicolas de Staël's simplified landscapes, where broad colour relationships become more important than descriptive detail. Levich adopts a similar approach, reducing the landscape to its essential forms while preserving its emotional resonance.
At 120 × 200 cm, the work acquires an immersive presence that contrasts beautifully with the small scale of the distant settlement. The panoramic format emphasises the sensation of movement and passing time, reinforcing one of the central ideas of Twenty Minutes of One Evening: that even the briefest encounters can leave lasting impressions.
Presentation
“What is the most important in our life? Definitely it is not a material world that surrounds us. It is our inner world! Art is a key that opens that world for us. If you follow that path, you will learn how to see, not how to look, but how to SEE. I try to cover the true meaning with my artwork. Art is an instrument of communication, a field for your thoughts. The question is always deeper than the answer. And the answer is something for you to find by yourself. My paintings will only guide you through the pathway of your own thoughts. I attempt to offer you a joy of communication with yourself, your inner world, a luxury of harmony and solitude." Alexander Levich
Alexander was born in 1963 in Kyiv, Ukraine. In 1987 he graduated from painting faculty of the Kyiv Art Academy, workshop of Professor A.M. Lopukhov. Since 1990 he is a member of the National Union of Artists of Ukraine. Alexander's artworks may be divided into two periods.
The first period that lasted for over 20 years after his graduation from the Academy of Arts, from early 90th and up to 2010, was focused on the search of something new and unusual. He was experimenting with different styles, techniques, and themes. This is how Alexander arrived at a style that is abstract, as it does not depict anything that we know or what our eyes are used to, at the same time it is also, to certain extent, a figurative art, as it shows certain fantasy objects, inspired by classical music and literature, sea travels and explorations, love and friendship… Alexander calls that style an “Intellectual Abstraction" and promises that he will return to it someday.
Around 2010 Mr. Levich decided to go against the mainstream of abstractionism and turned to realistic artworks that are pleasant and comforting for the eyes, yet, contain a deeper meaning that provides our mind with a field for thoughts and “a joy of communication with yourself, your inner world, a luxury of harmony and solitude".
Events and Exhibitions:
Paintings of Alexander Levich are often exhibited in various galleries. His paintings are included in public collections of Ministry of Culture of Ukraine, Directorate of the Artists Union of Ukraine, Zaporizhya Arts Museum, Museum of History of City of Kyiv, and Modern Art Museum of Dnipro. Alexander's artworks are also in numerous corporate and private collections around the world, in particular USA, Germany, Switzerland, Sweden, Russia, Japan, etc.
Alexander Levich is a co-author (together with Akim Levich and Yuriy Paskevych) of the monument "Menorah", erected in 1991 at Babi Yar (a ravine in the Ukrainian capital Kiev) to commemorate Jews that were executed in 1941 on the scene of possibly the largest shooting massacre during the Holocaust. Alexander is also an author of monument “For the Inmates of Syretsky Camp", erected in 1991 to commemorate those imprisoned in this Kyiv sub-camp of Sachsenhausen during the Second World War. In 1992 Alexander Levich was a co-author (with Alexander Karunskiy) of the memorial sign “In Memory of Alexey Grischenko" in Punta del Este, Uruguay.
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