Labyrinths of Clay III, 2021
Maarten Demmink  

Painting : oil · 31 x 42 x 3 cm 12.2 x 16.5 x 1.2 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

31 x 42 x 3 cm 12.2 x 16.5 x 1.2 inch Height x Width x Depth

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Description
"Labyrinths of Clay" is a series on the interactions between human beings and nature. It shows flooded urban areas covered with matterist growths. By eliminating any easily identifiable narrative or geographical element, Maarten Demmink encourages the viewer to examine the architecture of the landscape, structured by geological conditions and human needs that are contradictory, complement each other or sometimes intertwine. "Labyrinths of Clay" functions like a counterpart to the series "Urban Tissue" that is more focused on landscape shaped by human activity.

Bibliography:
Maarten Demmink. Galerie Jean-Marie Oger, Paris. 2022.

Landscape

figurative

Environment

Flood

Landscape

Maarten Demmink, Labyrinths of Clay III
Netherlands  • 1967

Presentation

Graduated from the Royal Academy of Art in The Hague, Maarten Demmink (also known as Demiak) revisits the genre of landscape in the light of his contemporary concerns about environmentalism by the use of different mediums: paintings, mural wood sculptures, mixed media and staged photographs.

Through the motif of landscape shaped by human activity, he seeks to record the instability and the invisible, the time and the history, the traces left by nature and the cataclysms. His paintings looking like damaged vintage photographs of the series "The Big Blow" list some major natural disasters through the ages. Inspired by the Deep South, "Memoirs of Loss" is focused on ravaged houses, like an echo to a series of small sculptures of houses made in modest materials. Since the mid-2010s, he develops other themes into his series of landscapes, such as geopolitical considerations ("Escapism") or the memory of places ("The Book of Sand", "Ask the Dust") while pursuing his pictorial research by combining almost abstract or matierist elements ("Earth", "Labyrinths of Clay", "Urban Tissue").

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