Baroque (7), 2022
Martine Elhaik  

Painting : oil, acrylic, collage · 50 x 40 x 1 cm 19.7 x 15.7 x 0.4 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 40 x 1 cm 19.7 x 15.7 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2022 • Top Seller

Description
Trained at the School of Decorative Arts in Strasbourg, Martine Elhaik is now established as a professional artist in Franche Comté. Her artistic approach is based on a search for adequacy between materials and colors to achieve through their connection by shapes and volumes, a pictorial harmony that she strives to bring out from her paintings. His lacquers explore an intimate universe populated by memories, a dreamlike and theatrical space with chimerical perspectives. Product of a mixed technique combining an oil background on a wooden support covered with medium, a patient arrangement of collages of images punctuated with gold leaf, a lacquer that melts this set... and the trompe-l' eye comes to life. His work on the landscape is an invitation to the imagination that the gaze, once captured, extends beyond simple visual contemplation.
Martine Elhaik, Baroque (7)
France  • 1962
70 followers

Presentation

Trained at the School of Decorative Arts in Strasbourg, Martine Elhaik is now established as a professional artist in Franche Comté. Her artistic approach is based on a research of adequacy between materials and colors to reach through their connection by the forms and the volumes, a pictorial harmony which she applies to make emerge from her paintings. Her lacquers explore an intimate universe populated with memories, a dreamlike and theatrical space with chimerical perspectives. 

The product of a mixed technique associating an oil background on a wooden support covered with medium, a patient arrangement of collages of images punctuated with gold leaves, a lacquer which comes to melt this whole... and the trompe-l'oeil comes to life. His work on the landscape is an invitation to the imagination that the gaze, once captured, extends beyond the simple visual contemplation.

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