N° 1204 La Rochelle. Le café de la Paix., 2022
R. Cavalié  

Painting : oil · 50 x 65 x 2 cm 19.7 x 25.6 x 0.8 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 65 x 2 cm 19.7 x 25.6 x 0.8 inch Height x Width x Depth

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Vetted seller since 2021

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Description
It is here that Simenon wrote many of his famous novels. He had to stand on the bench on the right, where we guess in the photo surrounded by friends. This grandiose place was a hospital for Poor Girls then a theater before becoming this Belle Epoque café which seems to be struggling to stay in its old gold today. In order to convey her emotion, the artist has placed herself in such a way as to have this living room deliberately deprived of life in the foreground to whisper to us... and if you read again, The ghosts of the hatter for example?

Architecture

Everyday life

Realism

Travel

Interior

brown

Sky blue

R. Cavalié, N° 1204  La Rochelle. Le café de la Paix.

R. Cavalié

France  • 1944
184 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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