Noir de carbone - Hommage à Pierre Soulages, 2023
Ronan Martin  

Painting : resin, Pigments · 61 x 100 x 2 cm 24 x 39.4 x 0.8 inch · Ready to hang

€1,200 1 200 €
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Shipped from: France

Delivery to: Spain , € 100

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 100 x 2 cm 24 x 39.4 x 0.8 inch Height x Width x Depth

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Description

With , Ronan Martin engages in a dialogue that is both respectful and deeply personal, drawing on the major legacy of Pierre Soulages and his conception of black as a living material. The work takes the form of a diptych—two panels united by rhythmic continuity yet deliberately fragmented to introduce visual tension.

The surface is entirely worked in a deep, dense, almost absolute black. Far from being uniform, this black reveals itself through a complex network of striations, crossings, and directional gestures. Broad, assertive brushstrokes structure the space into interlocking planes, creating an abstract architecture in which light circulates, reflects, and transforms depending on the viewing angle.

This approach directly echoes Soulages’s concept of : a black that is not absence, but a revealer of light. In Ronan Martin’s work, carbon black becomes a primary, almost mineral material whose texture captures reflections and generates a perceptual rather than purely visual experience.

The diptych format reinforces this dynamic. The eye moves from one panel to the other, exploring subtle variations in rhythm, density, and luminosity. The work demands time and contemplation, inviting the viewer to slow down, to shift position, and to allow light to activate the painting.

Through , Ronan Martin does not seek imitation, but rather the transmission of a fundamental principle: making black a space of vibration, depth, and inhabited silence. The work stands as a contemporary meditation on material, gesture, and light, positioned at the intersection of art historical memory and a distinctly personal visual language.

Ronan Martin, Noir de carbone - Hommage à Pierre Soulages

Ronan Martin

France  • 1966

Presentation

Ronan Martin is a French contemporary artist born in 1966, recognized for his singular work at the intersection of abstract painting, contemporary sculpture, and research into material. His work is inscribed in the legacy of minimalism and Bauhaus, from which he takes the founding principle of "Less is More," by favoring streamlined compositions where color, texture, and light become the main vectors of expression. Through an demanding artistic approach, he develops a plastic language where each work goes beyond simple representation to become a space for reflection on major contemporary issues, notably environmental questions, the depletion of natural resources, the preservation of the oceans, and man's place in his environment.

For several years, Ronan Martin has focused his research on a particularly complex technique based on sgraffito, a process consisting of revealing the material by scratching. His creations are developed through the superposition of multiple layers of resins, pigments, glazes, and colors, whose properties of transparency and depth play an essential role in the construction of the image. Each layer is carefully prepared before being incised with different tools, progressively bringing forth shapes, lines, and chromatic variations. This irreversible process gives each of his works an almost archaeological dimension, where light seems to emerge directly from the material. The artist describes this practice as a way of revealing what is already contained in the surface rather than creating an image ex nihilo.

The richness of the textures, the depth of the colors, and the effects of translucency constitute the signature of his work today. His abstraction does not seek to represent reality but to evoke a sensory experience, inviting the viewer to construct their own reading of the work. Titles hold an essential place in his approach: they extend the meaning of the composition and fully participate in the dialogue between verbal and visual language.

Since the 2010s, Ronan Martin has benefited from growing recognition on the contemporary art scene. His work is exhibited in France as well as internationally and is featured in numerous private collections. He is notably certified by the I-CAC (Institute for the Rating of Certified Artists), where he is listed among the referenced French contemporary artists. His works have been presented at several international art events, including Art Basel (2018, 2019), Art Miami (2019), FIAC Paris (2018 and 2021), Affordable Art Fair Brussels (2021), Discovery Art Fair Frankfurt (2021), Scope Miami (2021), as well as ArtExpo New York (2021). This international presence testifies to the interest in his work by collectors, galleries, and institutions sensitive to a creation where material, light, pigments, resin, abstraction, minimalism, and technical innovation converge in an exacting aesthetic and conceptual research.

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