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TN696-D, 2016
Hachiro Kanno  

Painting : acrylic, ink · 70 x 100 x 1 cm 27.6 x 39.4 x 0.4 inch · Ready to hang

€5,400 5 400 €
Delivered in time for Christmas
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Shipped from: France

Delivery to: Germany Free delivery

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 100 x 1 cm 27.6 x 39.4 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2023

Discount

This seller offers discount when you purchase multiple artworks.

Description
TN696-D is an artwork by Japanese artist Hachiro Kanno. This painting is a diptych composed by two panels measuring 70 cm x 50 cm each.
This piece of art is in the abstract register and is inspired by Japanese calligraphy. Only black and blue are used in this acrylic and ink painting. The painter's gestures can be seen in the bold yet graceful brushstrokes that are easily visible. The painting appears to radiate energy due to the contrast between the dark background and the blue, which the artist chose to be a very brilliant and vibrant shade of.
Hachiro Kanno, TN696-D

Hachiro Kanno

Japan  • 1944

Presentation

After the Fine Arts of Musashino (Tokyo) where he discovered the Western artistic movements, the young Hachiro Kanno arrived in Paris in 1968 as a scholarship holder and continued his studies at the Beaux-Arts. In 1979, he was given the studio where Picasso lived between 1904 and 1909 and settled "with intense emotion" in the legendary Bateau Lavoir of Montmartre that, moreover, he will never leave.

Since a young age, he was immersed in the art and values of Zen culture (meditation and creation) in the first place thanks to his father, a Shintoist and renowned calligrapher in Japan, who taught him to hold a brush, to position his body, and to his older brother who introduced him to the art of the trait and the correctness of proportions. He also taught him the rigour, personal discipline and integrity that any practice of calligraphy implies .

The school, then other courses will bring him a different knowledge, but this time critical. It will push him to prefer personal experience to discover his own artist specificity, his freedom to think and act outside molds and influences.

The recurring themes in all his works (the full and the empty, the shadow and the light, the seizure of the moment in its continuity, the incessant transformation of the forms, the alliance of temporal and eternal .. .) reflect his oriental conception of art and life in general.

A calligrapher and a painter, Hachiro Kanno multiplies exhibitions and artistic events between France, Japan and the United States.

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