Ma source dorée, 2023
Alida Ymélé   New & remarkable Artists

Painting : acrylic · 130 x 115 x 2.5 cm 51.2 x 45.3 x 1 inch · Ready to hang

€4,300 4 300 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 129

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

130 x 115 x 2.5 cm 51.2 x 45.3 x 1 inch Height x Width x Depth

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Description
Shipping protected with insurance.
Alida Ymélé, Ma source dorée

Presentation

Alida Ymélé (1994) is a Cameroonian artist born in Dschang in the West of Cameroon. She started to
create at a very young age against the advice of her family. Her first ambition was to go into fashion
design to ensure a manual practice without knowing the existence of a school of Fine Arts.
Determined, she entered the Institute of Fine Arts of Nkongsamba from which she graduated with a
master's degree in 2019.Alida has been working in the studio of Jean-David Nkot since 2017. 

Like many artists of this generation, she has also gone through the teachings and encouragement of
renowned artists such as Barthélémy Toguo, Jean Jacques Kanté, Salifou Lindou, or the post-master
of Hervé Youmbi. Her main mentor, Jean-David, made her realize that gender is not an issue in the
studio, only work, passion and determination count. 

The universe of Alida Ymélé questions the permanent injustices that housekeepers experience. For
her, her invisibilized women are heroines that it is necessary to put forward, to rehumanize. Indeed,
she cannot but notice the violence with which these people are treated. This fight comes to her from
her early childhood when she can read her mother's profession of housewife on her birth certificate,
while society teaches her that this work does not really exist, is worth nothing. However, it is her
mother who supports her until 2011. Alida Ymélé began by working on the tragedies of immigration,
where women find themselves in situations close to slavery.

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