Chromatic harmony, 2024
Painting : oil · 40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 40 x 2 cm 15.7 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
Comes with signed certificate of authenticity.
"Chromatic Harmony" is a canvas that captures the essence of geometric abstraction through a symphony of color. This painting is a vivid exploration of shape and form, where each segment of color interacts with its neighbors to create a cohesive whole. The bold blocks of orange and yellow offer a warm, inviting contrast to the cool blues and purples, simulating the interplay of sunlight and shadow. The angular lines and sharp edges carve a visual pathway through the composition, creating a sense of movement and rhythm. This piece is a celebration of the pure power of color to evoke emotion and communicate beyond words, making it an ideal statement piece for any modern interior.
Presentation
Narek Qochunts was born on May 21, 1988 in Goris, Armenia. From 1996 to 2001 he attended the art school, and from 1997 to 2002 the art school of fine arts in his hometown. In 2003-2010 he studied at the Department of Painting of the State College of Fine Arts after P.Terlemezyan.
He took part in all the exhibitions held by the college, including the competition «Three Masters» at A. Tamanyan museum-institution. Also, he received an award from the Ministry of Education and Science for the illustrations of the epos «Sasuntsi Davit».
Narek Qochunts's works can be found in many places around the world-Barcelona, Boston, London, Moscow, Lebanon and Armenia . Some of his works are exhibited at the «West London Art Factory» gallery, London, UK.
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