La trouille au ventre, 2020
Painting : mixed media · 81 x 60 x 2 cm 31.9 x 23.6 x 0.8 inch · Ready to hang
€2,130
2 130 €
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 238
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
81 x 60 x 2 cm 31.9 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This intriguing work features an abstract human silhouette emerging from a dark and mysterious background. The dominant colors, white and pink, evoke complex emotions and an internal dynamism. The rich textures create an impression of movement and transformation. The hands, lightly sketched, add a lively and expressive dimension, suggesting a quest for connection or internal struggles. The bold use of light accentuates the volumes. This harmonious fusion of abstraction and figuration captures attention, inviting the viewer to explore the depths of the human soul. The artist succeeds in creating a captivating piece that awakens curiosity and prompts reflection.
Presentation
Denis Blondel, humanity stripped By Caroline Canault Art critic
It is a feverish, multiple-reading vision where the body transforms and mutates. The strangeness spreads over the entire surface of the composition. The artist's touch works the scrambling effect contributing to a feeling of disorientation.
His portraits with carnal expression leave few defined elements. However, in this dense and unstructured balance, we can distinguish a few figurative references; such as the portrait of the Mona Lisa or a knife ...
Denis Blondel strips as much as he humanizes. His works are an invitation to probe the body and the abysses of the soul, the presence and the absence, the ephemeral and the fragility of human existence.
The darkness becomes clear, with a recurring white tone, evoking the powdered body of a make-up crossed by nothingness. This evocation of the transitory nature of life places his work in an evolutionary mobility. This is where individual elevation and the opening of perspectives emerge.
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