Sapphire Rhapsody floral blue square large painting, 2023
Anastassia Skopp  

Painting : acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2022 • Top Seller

Description

The work is ready to hang. No framing required. The sides of the work are painted.
The artwork is signed, dated and titled. Original artwork with signed Certificate of Authenticity.

My artworks are a result of years of studying spiritual books written by Eckhart Tolle.

Eckhart Tolle, a spiritual teacher and author, often uses flowers as a metaphor for living in the present moment, which is a central concept in his philosophy. He notes that a flower doesn't think about the past or the future; it simply exists in the present moment, fully expressing its beauty and essence. By observing and appreciating a flower, we can learn to live more fully in the present moment and experience the beauty of life around us.

In Tolle's view, flowers can also remind us of the interconnectedness of all things. A flower is not separate from its environment; it relies on the sun, the soil, and other elements to grow and thrive. Similarly, we are not separate from the world around us; we are part of a larger interconnected web of life. By recognizing this interconnectedness, we can develop a greater sense of empathy and compassion for all living beings.

Floral

figurative

Sky

Colors

Landscape

Plants

Dark blue

Anastassia Skopp, Sapphire Rhapsody floral blue square large painting
Germany  • 1977
125 followers

Presentation

Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.

Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.

Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.

Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.

Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.

Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.

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