Floating traps, 2017

Robert van Bolderick  

By using a mixed technique that combines acrylic, oil, gauche, tempera, to the praxis of collage, it gives life to the artworks with a dreamlike and vibrant scenario that imprison on the canvas tracks of the real and of metaphorical evocations. Rhythm, pattern and balance is important in the paintings. Images and text fragments sticks out, but don't give the viewer all information, just like dreams and memories its fragmented and fuzzy, just gives a glimpse of what have happened.

Using collage is influenced and refer to a typically Dadaist aesthetics, but at the same time they're purged of the Dada polemic force and iconoclastic fury. In fact, the paintings colour, cut-outs, symbols of a mysterious past, like of the present, slowly emerge on the surface in a continuum of summons and recovery, composing and compressing themselves into new formal structures capable of returning the memory of reasons and feelings, and emotionally closer to the Rauschenberg's memory to aim for a particular text and image to have an underlying meaning.

Documenting the lives and our footprint through time and what the future has to show, history repeats itself. This has happened, mixed with a dreamy, ethereal world.