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Time-Lapse Map III, 2023
Roman Durcek  

Painting : oil, acrylic, copper, mixed media · 40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch

$3,659 3 659 $US
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Shipped from: Slovak Republic

Delivery to: United States , $ 127

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 50 x 2 cm 15.7 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2024

Description

This artwork presents a dynamic interplay of abstract forms and vibrant colors. The composition features two prominent, abstracted figures; one in swirling shades of grey and white, and the other in a striking combination of blue and yellow. The background exudes an earthy, coppery tone, providing a warm contrast that emphasizes the cool hues of the figures. Surrounding them, intricate patterns of green create a textured, organic feel, reminiscent of foliage or fluid movement. Unexpected splashes of red and pink add depth and intrigue, inviting viewers to explore the layers within. The painting's energetic brushstrokes and harmonious color balance create a sense of motion and spontaneity, making it an eye-catching and thought-provoking piece. Its abstract nature allows for numerous interpretations, engaging viewers and inviting them to decipher its narrative.

Abstract

Landscape

Bizarre

Composition

Semi-abstract

Green

Roman Durcek, Time-Lapse Map III

Roman Durcek

Slovak Republic  • 1990

Presentation

Roman Ďurček (*1990, Zlaté Moravce, Slovakia) lives and works in Malé Vozokany, Slovakia. He graduated from the Fine Arts program, which he completed in the painting studios at the Faculty of Fine Arts of the Academy of Arts in Banská Bystrica. He successfully completed his doctoral studies in 2022 (supervisors: Prof. Ľudovít Hološka and Assoc. Prof. Ján Triaška). He subjects painting to various experimental practices concerning materials, pigments, and substrates. The process has become a significant phenomenon for the artist. Since 2014, he has regularly participated in both solo and group exhibitions in Slovakia and abroad. In 2018, he received the Martin Benka Award, was a three-time finalist in the VÚB Painting of the Year competition (2017, 2019, 2021), and a two-time finalist in the NOVUM Foundation Award (7th and 8th editions).

Paradoxes

The artist primarily focuses on the medium of painting while also exploring its boundaries, characterized by discursive contributions and material research. His aim is to connect painting with and subject it to various experimental practices concerning material diversity, pigments, and substrates. He experiments with combinations of traditional and non-traditional pigments, methods of biochemical oxidation processes, ensuring a unique effect for themes that are both current and connected with the artist's internal experiences. From the perspective of social-critical reflection, he addresses the contemporary value-depleting and skewed times, emphasizing individual performances and the preference for pseudo-models. From this perspective, figurative creation and work with archetypes of cultural memory dominate. He perceives emblematic figurative compositions and icons of classical art as models of values and their contemporary misinterpretations. His goal is to explore existence as such and the existential situations of contemporary individuals through an internal authorial statement in the form of painting, which is under pressure from demands on performance, career, life success, and thinking. In continuity with his previous work, he will build and develop the chosen theme based on experience and experimentally examines situations from the perspective of formal possibilities. The project's contribution is to provide an internal statement of the author to the viewer through visual art, specifically twenty-two paintings of various dimensions. The exhibition was preceded by a selection of paintings in consultation with the curator, resulting in a final count of fifteen works.

His work underwent thorough theoretical and narrative analysis of social events worldwide, and based on this, the artist aimed to provide a statement or message to future generations through the expressive means of the techniques mentioned.

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