Where we gonna play in the future. From The Light Series, 2023

Jose Ricardo Contreras Gonzalez  

This poignant artwork features a figure lying on a bed, captured in a moment of introspective stillness. The soft, muted colors of the subject's clothing and the surrounding environment evoke a sense of calm and contemplation. Sunlight streams through a window, casting gentle shadows that enhance the serene atmosphere. The phrase "we gonna play in the future" is boldly inscribed at the bottom, injecting a sense of questioning or hopefulness into the otherwise tranquil scene. The juxtaposition of the serene imagery with the intriguing text invites the viewer to ponder the future and the uncertainties it holds. The artwork masterfully combines realism with subtle narrative elements, creating an engaging and thought-provoking piece.

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Where we gonna play in the future, 2023 by Jose Ricardo Contreras González

From The Light Series 

THE LIGHT (2018 - 2022)

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the artist Edward Hopper took significant recognition that led to becoming a benchmark for cinematographers in everyone, especially because of their relationship in film noir and the

influence exercised by the painter in the work of filmmakers such as Alfred Hitchcock, Jim Jarmusch, Martin Scorsese, and Wim Wender.

Hopper was inspired by the cinema to create his paintings and the cinema became inspired by Hopper.

The images that the series represents were taken from the film and behind the scenes of the film "Shirley Vision of Reality" by 2013 by the Austrian director Gustav Deutsch, in an exercise that I seek to literally recreate a series of paintings by Hopper and with they narrate the story of three decades beginning in North America from the 30s and going until the 60s. The scenes depicted in the film are interior images inhabited by solitary people, who relate to the outside through the entrances of light and sound, images that They speak of a world that was, but that resembles the intermittent state of simulation and quarantine of the contemporary world.