Inner land-escape I, 2024
Ástríður J. Ólafsdóttir  

Painting : oil · 50 x 80 x 3 cm 19.7 x 31.5 x 1.2 inch · Ready to hang

€3,200 3 200 €

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Shipped from: France

Delivery to: Spain Free delivery

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 80 x 3 cm 19.7 x 31.5 x 1.2 inch Height x Width x Depth

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Vetted seller since 2016 • Top Seller

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Description
This captivating artwork presents an enigmatic scene where dark, almost surreal fabrics are intricately arranged at the center of the canvas. The deep, sophisticated folds of the drapery create an illusion of movement, like a wave frozen in time. The palette of blues and blacks reinforces the mystical and timeless atmosphere, suggesting both calm and latent tension. The background, in subtle contrast, adds an additional dimension, evoking a dreamlike landscape or a theatrical scene hidden in shadow. This work challenges with its apparent minimalism, which, however, conceals a visual and emotional depth. Through its masterful treatment of light and texture, the artist invites the viewer to an introspective meditation on the themes of the ephemeral and the unknown.

Fantastic

figurative

Dark blue

Ástríður J. Ólafsdóttir, Inner land-escape I
Iceland  • 1990

Presentation

She studied at the Academy of Fine Arts of Bologna, earning a degree in 2013 with a thesis on psychological portraiture and the artist-model relationship, followed by a Master's in Visual Arts in 2016.

Ástríður blends Nordic cultural elements with Italian painting traditions, delving into the boundary between life and death, stillness and renewal. Since 2012, her distinctive visual language has led her to exhibit her work in numerous international galleries and exhibitions.

Her background in aerial silks—a discipline involving acrobatics performed while suspended from fabric—fuels her painting practice, inspiring her series Panneggio, which references classical drapery studies to examine movement and form. This series of paintings depicts veiled figures emerging from shadowy backgrounds, the soft folds of fabric tracing their forms, evoking both protection and mystery. Through deep blues, grays, and subtle chiaroscuro, she captures a suspended state between sleep and wakefulness, where the veil becomes a vessel of both concealment and regeneration.

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