Magnet II, 2024
Ástríður J. Ólafsdóttir  

Painting : oil · 20 x 20 x 3 cm 7.9 x 7.9 x 1.2 inch · Ready to hang

€900 900 €

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Shipped from: France

Delivery to: Spain Free delivery

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

20 x 20 x 3 cm 7.9 x 7.9 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description
This intriguing artwork features a textured sphere that appears to float at the center of a dark and nuanced background. The form, evoking a drape of fabric or a celestial surface, immediately captures attention with its almost tactile appearance. The shades of blue-gray contribute to a mysterious and enigmatic effect, reinforcing the impression of depth and infinity. The subtle shading around the sphere creates an illusion of movement, as if this entity were in constant evolution. The artist masters the contrasts of light and texture, inviting the viewer to explore the secrets of this fascinating composition. This creation stands out for its ability to merge abstraction and realism, sparking contemplation and questioning about the nature of what is represented.

Abstract

Dark blue

Green

Ástríður J. Ólafsdóttir, Magnet II
Iceland  • 1990

Presentation

She studied at the Academy of Fine Arts of Bologna, earning a degree in 2013 with a thesis on psychological portraiture and the artist-model relationship, followed by a Master's in Visual Arts in 2016.

Ástríður blends Nordic cultural elements with Italian painting traditions, delving into the boundary between life and death, stillness and renewal. Since 2012, her distinctive visual language has led her to exhibit her work in numerous international galleries and exhibitions.

Her background in aerial silks—a discipline involving acrobatics performed while suspended from fabric—fuels her painting practice, inspiring her series Panneggio, which references classical drapery studies to examine movement and form. This series of paintings depicts veiled figures emerging from shadowy backgrounds, the soft folds of fabric tracing their forms, evoking both protection and mystery. Through deep blues, grays, and subtle chiaroscuro, she captures a suspended state between sleep and wakefulness, where the veil becomes a vessel of both concealment and regeneration.

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