Inner land-escape IV, 2024
Painting : oil · 60 x 80 x 3 cm 23.6 x 31.5 x 1.2 inch · Ready to hang
€3,200
3 200 €
Shipping & delivery
Shipped from: France
Delivery to: Italy Free delivery
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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Nino Tolomashvili
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 80 x 3 cm 23.6 x 31.5 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This captivating artwork presents a striking contrast between the silky texture of the pleated fabric and the rough, dark backdrop. The intricate folds of the fabric, depicted with remarkable precision, subtly capture light, introducing a dimension of depth and movement. The background, with its earthy hues and traces of flow, evokes a mysterious and dramatic atmosphere. This marriage of softness and roughness creates a visual tension, engaging the viewer in a dialogue between vulnerability and strength. The artist skillfully exploits the interplay of shadows and light to intensify texture and energize the scene. This bold juxtaposition between the tangible and the intangible highlights the duality and beauty of the materials used, emphasizing a delicate balance between nature and artifice.
Presentation
She studied at the Academy of Fine Arts of Bologna, earning a degree in 2013 with a thesis on psychological portraiture and the artist-model relationship, followed by a Master's in Visual Arts in 2016.
Ástríður blends Nordic cultural elements with Italian painting traditions, delving into the boundary between life and death, stillness and renewal. Since 2012, her distinctive visual language has led her to exhibit her work in numerous international galleries and exhibitions.
Her background in aerial silks—a discipline involving acrobatics performed while suspended from fabric—fuels her painting practice, inspiring her series Panneggio, which references classical drapery studies to examine movement and form. This series of paintings depicts veiled figures emerging from shadowy backgrounds, the soft folds of fabric tracing their forms, evoking both protection and mystery. Through deep blues, grays, and subtle chiaroscuro, she captures a suspended state between sleep and wakefulness, where the veil becomes a vessel of both concealment and regeneration.
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