Fond de coquelicots - Champs de fleurs, 2024
Fabienne Dalgarno  

Painting : oil, Knife Painting · 27 x 22 x 2 cm 10.6 x 8.7 x 0.8 inch

$263 263 $US
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Shipped from: France

Delivery to: United States , $ 40

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27 x 22 x 2 cm 10.6 x 8.7 x 0.8 inch Height x Width x Depth

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Credentials

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Description

This captivating artwork immerses the viewer in a vibrant field of red poppies, treated with an impressionist technique. The warm tones of red, orange and yellow contrast beautifully with the green hues of the background, creating a striking visual harmony. The poppies, at the heart of the composition, seem to dance in an invisible breeze, adding movement to the scene. The play of light and shadow is skillfully used to give depth, while the artistic blurring of the contours suggests a dreamy and ethereal perspective. The touches of white and black subtly accentuate the details, reinforcing the liveliness of the whole. This canvas evokes not only the natural beauty of the flower fields, but also a feeling of serenity and freedom, inviting the viewer to lose themselves in it.

Floral

figurative

Fields

Poppies

Colors

Nature

Green

Red

Fabienne Dalgarno, Fond de coquelicots - Champs de fleurs
France  • 1963

Presentation

I've been painting with a knife for about ten years. I used to paint pastels and oils with a brush before turning to this technique. The knife lets me play with textures, paint variations in colour and add dynamism to my creations.

Nature is at the heart of my work. It soothes me. I love painting its undergrowth and its flowers. Its different atmospheres are a huge source of inspiration. My challenge in 2024: to expand my universe by reducing the size of my canvases, and give myself the opportunity to create, on the same theme, a mosaic of paintings that complement and enhance each other. I can capture the depths of a landscape, the light and shade of a narrow path, the delicacy of a flower in small formats, refining my palette knife technique while retaining the palette of colours that characterise me.

I hope to have succeeded in conveying to you in this format all the emotions I feel when I paint: a walk in nature where tranquillity and serenity, in a breath, take us far away from everything.

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