La mélodie des oiseaux qui passent, 2021
Philippe Loubat  

Painting : acrylic · 41 x 24 x 2 cm 16.1 x 9.4 x 0.8 inch · Ready to hang

€650 650 €
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Shipped from: France

Delivery to: France , € 40

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

41 x 24 x 2 cm 16.1 x 9.4 x 0.8 inch Height x Width x Depth

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Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2022 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

This captivating artwork depicts a musician seated on an ornate chair, holding a finely detailed guitar. The bold use of bright, saturated colors, such as the multicolored stripes on his shirt, artfully contrasts with the soothing blue background. The sinuous, distorted forms of the musician and his instrument are characteristic of a surrealist style, inviting the viewer to explore a dreamlike dimension. Details, such as the clock numbers and the patterns on the guitar, add a rich narrative, provoking reflection. The corrugated plank floor and exaggerated decorative elements reinforce the fantastical dimension of the scene. This painting, with its dynamic composition and bold contrasts, challenges the eye and stimulates the imagination, establishing an intriguing visual dialogue.

Philippe Loubat, La mélodie des oiseaux qui passent
France  • 1962

Presentation

Artist from Montpellier, Philippe Loubat is a resolutely optimistic painter and this is reflected in his paintings!

His universe is colorful, poetic and romantic and the themes covered are love, human relations, mythology, dreams, circus, music, art history.

Strongly inspired by literature and cinema, Philippe Loubat slips into his works winks at Lewis Carroll, Haruki Murakami, Terry Gilliam, Tim Burton or Federico Fellini.

If his paintings often seem autobiographical, it is because he stores everything he sees, everything he experiences, without putting any label on it and without trying to analyze it. He gently lets his subconscious guide him onto the canvas, painting almost without thinking about it.

One has the feeling, seeing his paintings, that he poetizes reality, that he softens it to make it more beautiful.

And if his characters often seem to float, it's because he paints their soul more than their bodily envelope.

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