# Untitled,51, 2020
Painting : acrylic, wax, pencil, charcoal, lead mine, plaster, Pigments · 100 x 81 x 2.3 cm 39.4 x 31.9 x 0.9 inch · Ready to hang
$1,045
1 045 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 157
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 81 x 2.3 cm 39.4 x 31.9 x 0.9 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This abstract work inspires wonder with its bold palette and rich texture. Dominated by a vibrant golden halo at its center, it flourishes in a subtle interplay of contrasts. Bright yellow blends seamlessly with shades of deep black and mysterious gray, evoking both light and shadow. A touch of vibrant red injects unexpected energy, instantly capturing attention. The dynamic composition is enhanced by visible brushstrokes, testifying to the artist's gestural expression. The varying layers of color create an intriguing depth, inviting the viewer to explore their own interpretations. This painting does not impose a single reading; rather, it encourages a personal sensory experience, enhanced by the balance between tension and harmony. A masterful work that transcends the visual to touch the emotional.
Presentation
My paintings have been exhibited nationally, and some have been purchased abroad. For me, colors and shapes are the basis of abstract painting. I express myself primarily on wood or heavy linen canvases. These supports allow me to feel closer to reality and thus find greater balance in my work. I use various media such as binders, plaster, acrylic, charcoal, pencils, rare pigments, varnishes, and collage in my artistic process.
"The primary purpose of the material is not to give a sense of volume to the work. It must be left in its imprint state, it must remain, nevertheless, as a founding part of the project, upon contact with it the work comes to life."
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