# Bleu,5, 2020
Painting : acrylic, wax, pencil, pigment ink, charcoal, lead mine, plaster, Pigments · 116 x 89 x 2.2 cm 45.7 x 35 x 0.9 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
116 x 89 x 2.2 cm 45.7 x 35 x 0.9 inch Height x Width x Depth
Artwork dimensions including frame
122 x 95 x 3 cm 48 x 37.4 x 1.2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
This abstract work captivates with its striking contrast and bold composition. At the center, a vivid blue square appears to float, immediately drawing the viewer's attention. This electric blue contrasts powerfully with the dark masses of deep black surrounding it on the left and right sides, creating a sense of depth and mystery. The luminous yellow background adds a vibrant warmth that balances the composition, while touches of white provide additional lightness and dynamics. The blurred, imprecise shapes of the black and yellow tones suggest movement, evoking emotions of intensity and reflection. This juxtaposition of colors and shapes gives the work a palpable energy, inviting interpretation and personal contemplation. A masterful piece that defies convention and captivates with its visual complexity.
Presentation
My paintings have been exhibited nationally, and some have been purchased abroad. For me, colors and shapes are the basis of abstract painting. I express myself primarily on wood or heavy linen canvases. These supports allow me to feel closer to reality and thus find greater balance in my work. I use various media such as binders, plaster, acrylic, charcoal, pencils, rare pigments, varnishes, and collage in my artistic process.
"The primary purpose of the material is not to give a sense of volume to the work. It must be left in its imprint state, it must remain, nevertheless, as a founding part of the project, upon contact with it the work comes to life."
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