22 02 2024 16:45:54 (1), 2024
Edwin Wide Donnart  

Painting : acrylic · 100 x 70 x 3 cm 39.4 x 27.6 x 1.2 inch

€3,700 3 700 €

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Shipped from: France

Delivery to: Italy , € 111

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 70 x 3 cm 39.4 x 27.6 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2021 • Top Seller

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Description

The work presented is a bold exploration of digital technology, dynamic and vibrant. Composed of meticulously arranged pixels, the image captures the essence of a modern composition. The vibrant colors of the balloons—shades of pink, blue, green, and yellow—contrast majestically with the dark background, adding depth and intrigue. The subtle layering of digital elements, visible through a pattern of vertical lines, creates a sense of movement and draws the eye. The bold use of chromatic contrasts and repetitive patterns invites reflection on perception and visual interaction in the digital age. This work brilliantly illustrates the harmony between the complexity of modernity and the simplicity of a colorful palette, reinventing the notion of contemporary artistic composition.

Edwin Wide Donnart, 22 02 2024 16:45:54 (1)
France

Presentation

Since childhood, Wide has been fascinated by abandoned spaces, ceded by man to the wild. These modern ruins send us back to our own temporality, to the impermanence of everything. For 20 years he has been creating paintings, essentially ephemeral, in these decomposing places. This practice developed in Wide an interest in the obsolescence produced by time and led him in this search for the aestheticization of the ephemeral towards Glitch art. This art consists of recognizing the beauty in the display errors of digital images, in the form of fragmentations, repetitions and artefacts.

Wide tries to reproduce in paint this aesthetic of technological obsolescence that can appear on our LCD screens. The collection of identity photos, testimonies of a moment T, and the capture of words taken from the continuous flow of information both "news" and already outdated, constitute the raw material of Wide's studio work. He explores these themes in works tending towards abstraction, experimenting with different mediums and techniques.

"All men have a secret attraction for ruins. This feeling is due to the fragility of our nature, to a secret conformity between these destroyed monuments and the speed of our existence." Francois-Rene de Chateaubriand

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