21 01 2025 12.32.48 (1), 2025
Edwin Wide Donnart  

Painting : acrylic · 110 x 80 x 3 cm 43.3 x 31.5 x 1.2 inch · Ready to hang

$4,318 4 318 $US

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Shipped from: France

Delivery to: United States , $ 320

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

110 x 80 x 3 cm 43.3 x 31.5 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2021 • Top Seller

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Description

This work features an abstract composition that skillfully plays with vertical lines and a monochrome palette. Tones of black, white, and shades of blue blend to create an effect of undulating movement, similar to digital distortion. The artist exploits the contrast between light and dark bands to generate palpable visual tension, inviting the viewer to further exploration. The arrangement of the lines evokes a sense of rhythm and fluidity, while maintaining a rigorous structure. Through this piece, the artist successfully transforms a geometric pattern into an intriguing and dynamic work, demonstrating impressive technical mastery. The subtle variations in textures add an extra dimension, enriching this already complex creation. This painting, with its originality and expressiveness, immediately challenges and captivates, inviting reflection on perception and illusion.

Pop Art

Geometric

Pixels

Nature

White

Black

Edwin Wide Donnart, 21 01 2025 12.32.48 (1)
France

Presentation

Since childhood, Wide has been fascinated by abandoned spaces, ceded by man to the wild. These modern ruins send us back to our own temporality, to the impermanence of everything. For 20 years he has been creating paintings, essentially ephemeral, in these decomposing places. This practice developed in Wide an interest in the obsolescence produced by time and led him in this search for the aestheticization of the ephemeral towards Glitch art. This art consists of recognizing the beauty in the display errors of digital images, in the form of fragmentations, repetitions and artefacts.

Wide tries to reproduce in paint this aesthetic of technological obsolescence that can appear on our LCD screens. The collection of identity photos, testimonies of a moment T, and the capture of words taken from the continuous flow of information both "news" and already outdated, constitute the raw material of Wide's studio work. He explores these themes in works tending towards abstraction, experimenting with different mediums and techniques.

"All men have a secret attraction for ruins. This feeling is due to the fragility of our nature, to a secret conformity between these destroyed monuments and the speed of our existence." Francois-Rene de Chateaubriand

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