Portraits of mom - based on Mikhail Larionov, Circa 2010
Viktor Konotopsky  

Painting : oil · 49 x 43 x 2 cm 19.3 x 16.9 x 0.8 inch

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

49 x 43 x 2 cm 19.3 x 16.9 x 0.8 inch Height x Width x Depth

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Description

1676

"Portraits of Mom" by renowned Ukrainian artist Viktor Konotopsky, inspired by Mikhail Larionov, is a tender, expressive tribute to maternal strength and warmth, conveyed through a prism of color, rhythm, and abstraction. Rendered in fractured planes and softened geometric forms, the portrait shows a seated woman holding an accordion — a symbol of music, emotion, and cultural continuity. The palette is bold yet intimate, with layered hues of violet, teal, amber, and crimson giving the figure both structure and soul. Her face, though stylized, radiates calm and depth, hinting at a quiet resilience. Influenced by Larionov's Rayonist and Neo-Primitivist legacy, Konotopsky dissolves the boundary between external form and internal essence. The image becomes not just a likeness, but a memory — a mosaic of feelings, colors, and shared time. Through this work, the artist elevates the figure of the mother into something universal and iconic — celebrating not just an individual, but the enduring spirit of women in Ukrainian life.

Portrait

figurative

Women

Post-cubisme

Yellow

Dark blue

Viktor Konotopsky, Portraits of mom - based on Mikhail Larionov
Ukraine  • 1967
53 followers

Presentation

Viktor Konotopsky was born in 1967 in the village of Maleshkovka, Nedrigailovsky district, Sumy region.

Graduated from the Kharkiv State Art School and the Faculty of Arts of the Saratov State Pedagogical University named after Makarenko.

Worked as a drawing and drafting teacher, and an artist in the advertising field.
In the 90s, he lived and worked in Poland (Krakow and Szczecin) and St. Petersburg.

Viktor had many temptations to catch some fashionable artistic disease, but he remained himself.
Judging his painting by the standards of world artistic fashion is as absurd as declaring love with the memorized words of a popular literary hero. In this sense, it is naive, but the naivety of a professionally educated person. His paintings are realistic, although stylized. The landscapes are easily recognizable, but they contain a generalization leading to an image.

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