Man with a rooster - based on Natalia Goncharova, Circa 2010
Painting : oil · 59 x 46 x 2 cm 23.2 x 18.1 x 0.8 inch
$595
595 $US
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Shipped from: Ukraine
Delivery to: United States , $ 56
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
59 x 46 x 2 cm 23.2 x 18.1 x 0.8 inch Height x Width x Depth
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Art gallery
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Vetted seller since 2024 • Top Seller
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Description
1680
"Man with a Rooster" by renowned Ukrainian artist Viktor Konotopsky, inspired by Natalia Goncharova, is a bold and expressive homage to the rural spirit and everyday rituals of village life. Rendered in vivid, angular forms and flat color planes, the painting captures a young man holding a rooster—an animal deeply symbolic in Slavic folklore. The figure is strong and grounded, set against the backdrop of simple village houses and stylized trees, echoing Goncharova's folk-modernist approach. Through this work, Konotopsky expresses a connection to native roots, portraying not only a moment of rural routine but elevating it into a symbol of cultural identity. The rooster, with its radiant plumage and lively energy, adds a sense of pride and vitality to the composition, while the young man's calm gaze suggests introspection and dignity. The painting celebrates peasant resilience and the enduring beauty of Ukrainian tradition.
Presentation
Viktor Konotopsky was born in 1967 in the village of Maleshkovka, Nedrigailovsky district, Sumy region.
Graduated from the Kharkiv State Art School and the Faculty of Arts of the Saratov State Pedagogical University named after Makarenko.
Worked as a drawing and drafting teacher, and an artist in the advertising field.
In the 90s, he lived and worked in Poland (Krakow and Szczecin) and St. Petersburg.
Viktor had many temptations to catch some fashionable artistic disease, but he remained himself.
Judging his painting by the standards of world artistic fashion is as absurd as declaring love with the memorized words of a popular literary hero. In this sense, it is naive, but the naivety of a professionally educated person. His paintings are realistic, although stylized. The landscapes are easily recognizable, but they contain a generalization leading to an image.
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