Emergence d'un nouveau bonheur, Circa 2025
Painting : acrylic · 92 x 152 x 4 cm 36.2 x 59.8 x 1.6 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
92 x 152 x 4 cm 36.2 x 59.8 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Canada
Credentials
Vetted seller since 2016
Description
This artwork presents an abstract flurry of color and motion, invoking a sense of dynamic fluidity. Bold, vibrant strokes of red, blue, green, and white dance across a divided backdrop—a soft, earthy beige ground juxtaposed with a deep, muted blue sky. The rounded, swirling shapes appear to float, each leaving a delicate wisp in its wake, implying movement and transformation. Skillfully executed, the dots and swirls vary in size and direction, adding depth and a whimsical rhythm to the piece. The use of light and shadow within each stroke enhances the sense of three-dimensionality. Meanwhile, subtle, diffused circles of color in the background contribute to an ethereal atmosphere. This composition captivates with its balance between chaos and order, inviting viewers to find their own interpretations amid the vibrant symphony of colors and forms.
Presentation
Born in 1972 in Canada, Stephanie Rivet has been interested in painting and arts since her childhood. After studying mathematics at university, she changed directions and obtained her high school diploma in visual arts at the Quebec University, Montreal. She began to exhibit 1998 onwards but it was only from 2008 that she stopped teaching maths and dedicated herself to artistic creation solely.
During her studies, she explored different techniques, but painting remained her favorite way of expression. Nature is one of her biggest sources of inspiration, like the creative process in itself, which explains the use of her palette knife, an approach which leaves room for spontaneous emotions. Through the years, she has begun to use free energetic strokes where figuration and abstraction get along in a peaceful manner.
Since fifteen years, she has been exhibiting her creations in several regions of Quebec and various galleries and cultural centers in Canada and U.S.A. One can see her paintings in private collections and in Quebec and North-American company collections.
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