Bare Life, 2025
Aphisit Sidsunthia  

Painting : oil · 109 x 88 x 1.5 cm 42.9 x 34.6 x 0.6 inch

€3,615 3 615 €

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Shipped from: Canada

Delivery to: Germany , € 138

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

109 x 88 x 1.5 cm 42.9 x 34.6 x 0.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2024

Description

This artwork presents a surreal and evocative scene, merging elements of fantasy with symbolism. Central to the piece is a partially obscured figure, draped in white fabric, with a golden cross positioned prominently on their chest. The figure's pose, serenely reclined amidst a cluster of ethereal blue balloons, introduces a juxtaposition of tension and tranquility. To their side, a hand adorned in a dark glove grasps the cross, hinting at themes of duality and protection. In the background, barren trees loom under a dim, moody sky, enhancing the atmosphere of mystery. The clever use of negative space draws attention to the unfinished, dreamlike quality of the composition, while the soft, blended tones amplify the haunting yet serene ambiance. This artwork captivates through its intricate symbolism and imaginative, layered narrative.

Nude

Landscape

figurative

Human body

Religious iconography

Surrealism

Beige

White

Aphisit Sidsunthia, Bare Life
Thailand

Presentation

Aphisit Sidsunthia was born in 1994 in Bangkok, Thailand. He holds a master degree in Painting from the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University. His excellence in the medium has presented him with various awards including The 19th Panasonic Contemporary Painting Contest 2017 and The 18th Panasonic Contemporary Painting Contest 2016. In 2023, he was selected as one of the artists in residence at No Name Studio in Shanghai. 

Sidsunthia's work explores the interplay between visual representation and perception; societal norm and change; handicraft and technology. Much of his work references photographs and random images, representing the visual cultures of different times. Drawing inspirations from those images, his practice includes manipulating those images both manually and digitally by folding, collaging, removing and distorting. Referencing photographs from different time periods allows the overlapping and intersection of different ideologies. 

While his earlier work depicts combination of various events in forms of collages, his more recent work usually centers on a singular event. The dimensional complexity then shifts to the lines, colors and planes that are artistically manoeuvred to minimize or maximize certain perceptions. His work invites the audience to question the status quo through the overlaying of weirdly shaped planes, as if they were windows to different realities.

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