Carry Me, Quite Wind, 2025
Painting : oil · 110 x 81 x 3 cm 43.3 x 31.9 x 1.2 inch
Shipping & delivery
Shipped from: Canada
Delivery to: Germany , € 149
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
110 x 81 x 3 cm 43.3 x 31.9 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This artwork captures a striking black-and-white scene of a person on a sailboat, masterfully blending realism with abstract elements. The sailor, depicted in intricate detail, confidently stands on deck against a backdrop of calm waters and distant mountains. The monochrome palette evokes a timeless, nostalgic atmosphere. Interspersed throughout the image are vibrant, pastel-colored circles, contrasting with the grayscale and adding a modern, surreal twist. These circles obscure parts of the scene, inviting viewers to question the hidden story behind the visual obfuscation. The juxtaposition of traditional maritime imagery with contemporary abstract forms creates a dynamic tension, challenging perceptions and encouraging deeper reflection on the nature of reality and representation. This piece is notable for its seamless fusion of classic and avant-garde styles, capturing a moment that is both serene and provocatively enigmatic.
Presentation
Aphisit Sidsunthia was born in 1994 in Bangkok, Thailand. He holds a master degree in Painting from the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University. His excellence in the medium has presented him with various awards including The 19th Panasonic Contemporary Painting Contest 2017 and The 18th Panasonic Contemporary Painting Contest 2016. In 2023, he was selected as one of the artists in residence at No Name Studio in Shanghai.
Sidsunthia's work explores the interplay between visual representation and perception; societal norm and change; handicraft and technology. Much of his work references photographs and random images, representing the visual cultures of different times. Drawing inspirations from those images, his practice includes manipulating those images both manually and digitally by folding, collaging, removing and distorting. Referencing photographs from different time periods allows the overlapping and intersection of different ideologies.
While his earlier work depicts combination of various events in forms of collages, his more recent work usually centers on a singular event. The dimensional complexity then shifts to the lines, colors and planes that are artistically manoeuvred to minimize or maximize certain perceptions. His work invites the audience to question the status quo through the overlaying of weirdly shaped planes, as if they were windows to different realities.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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