Nothing to Hide, 2025
Painting : oil · 102 x 102 x 3 cm 40.2 x 40.2 x 1.2 inch
Shipping & delivery
Shipped from: Canada
Delivery to: Germany , € 156
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
102 x 102 x 3 cm 40.2 x 40.2 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This striking artwork features a monochromatic portrait of a woman, her visage rendered with meticulous precision. The portrait is set against a muted background, emphasizing the subject's serene expression and refined features. The unique aspect of this piece is the bold, three-dimensional illusion of a torn hole through the center of her face, revealing a stark white void beneath. This dramatic element disrupts the otherwise smooth surface, challenging perceptions of identity and reality. The artwork masterfully blends hyper-realistic techniques with abstract concepts, creating a compelling juxtaposition that invites viewers to explore themes of inner emptiness and the facades we maintain. The torn effect is executed with remarkable detail, enhancing the artwork's visual impact and conceptual depth. This piece stands as a captivating exploration of the human condition, balancing aesthetic finesse with profound narrative.
Presentation
Aphisit Sidsunthia was born in 1994 in Bangkok, Thailand. He holds a master degree in Painting from the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University. His excellence in the medium has presented him with various awards including The 19th Panasonic Contemporary Painting Contest 2017 and The 18th Panasonic Contemporary Painting Contest 2016. In 2023, he was selected as one of the artists in residence at No Name Studio in Shanghai.
Sidsunthia's work explores the interplay between visual representation and perception; societal norm and change; handicraft and technology. Much of his work references photographs and random images, representing the visual cultures of different times. Drawing inspirations from those images, his practice includes manipulating those images both manually and digitally by folding, collaging, removing and distorting. Referencing photographs from different time periods allows the overlapping and intersection of different ideologies.
While his earlier work depicts combination of various events in forms of collages, his more recent work usually centers on a singular event. The dimensional complexity then shifts to the lines, colors and planes that are artistically manoeuvred to minimize or maximize certain perceptions. His work invites the audience to question the status quo through the overlaying of weirdly shaped planes, as if they were windows to different realities.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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