Arizona XXII, 2024
Painting : Watercolour, acrylic, pastel · 60 x 80 x 0.2 cm 23.6 x 31.5 x 0.1 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , acrylic , pastel on paper
Dimensions ( cm • inch )
60 x 80 x 0.2 cm 23.6 x 31.5 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
63 x 83 x 2 cm 24.8 x 32.7 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2023
Description
Using the Japanese principles of Shibumi these simple works aim to encourage the viewer to pause and experience the essence of the subject matter.
This collection is inspired by the dramatic landscape of Tucson, Arizona. A week spent in Arizona surrounded by a cactus forest in 2024; the broad skyline, warm tones and powerful colours are evident, as is a feint suggestion of cacti.
Anna is a Minimalist Abstract Artist. Her work delves into the importance of negative space and the Zen philosophy "Ma" - the spatial relationship between structural elements. Her paintings and drawings incorporate Shibumi principles; a complex process not evident in the outcome, creating works of unobtrusive beauty.
Beginning by referencing tangible elements from nature, after careful observation Anna strips away all but the non-essential, working with gestural marks and elemental colour to capture the essence of the subject. This redaction of the superfluous encourages the observer to slow down and appreciate the tranquillity of the work.
Presentation
Anna is a Minimalist Abstract Artist based in London, UK.
Her work delves into the importance of negative space and the Zen philosophy "Ma" - the spatial relationship between structural elements.
Her paintings and drawings incorporate Shibumi principles; a complex process not evident in the outcome, creating works of unobtrusive beauty.
Beginning by referencing tangible elements from nature, after careful observation Anna strips away all but the non-essential, working with gestural marks and elemental colour to capture the essence of the subject. This redaction of the superfluous encourages the observer to slow down and appreciate the tranquillity of the work.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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