Arizona XXII, 2024
Anna F  

Painting : Watercolour, acrylic, pastel · 60 x 80 x 0.2 cm 23.6 x 31.5 x 0.1 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 80 x 0.2 cm 23.6 x 31.5 x 0.1 inch Height x Width x Depth

Artwork dimensions including frame

63 x 83 x 2 cm 24.8 x 32.7 x 0.8 inch

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Credentials

Vetted seller since 2023

Description

Using the Japanese principles of Shibumi these simple works aim to encourage the viewer to pause and experience the essence of the subject matter.

This collection is inspired by the dramatic landscape of Tucson, Arizona.  A week spent in Arizona surrounded by a cactus forest in 2024; the broad skyline, warm tones and powerful colours are evident, as is a feint suggestion of cacti.

Anna is a Minimalist Abstract Artist. Her work delves into the importance of negative space and the Zen philosophy "Ma" - the spatial relationship between structural elements.
Her paintings and drawings incorporate Shibumi principles; a complex process not evident in the outcome, creating works of unobtrusive beauty.

Beginning by referencing tangible elements from nature, after careful observation Anna strips away all but the non-essential, working with gestural marks and elemental colour to capture the essence of the subject. This redaction of the superfluous encourages the observer to slow down and appreciate the tranquillity of the work.

Anna F, Arizona XXII

Anna F

United Kingdom  • 1985

Presentation

Anna is a Minimalist Abstract Artist based in London, UK.

Her work delves into the importance of negative space and the Zen philosophy "Ma" - the spatial relationship between structural elements.

Her paintings and drawings incorporate Shibumi principles; a complex process not evident in the outcome, creating works of unobtrusive beauty.

Beginning by referencing tangible elements from nature, after careful observation Anna strips away all but the non-essential, working with gestural marks and elemental colour to capture the essence of the subject. This redaction of the superfluous encourages the observer to slow down and appreciate the tranquillity of the work.

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