Je n'ai de maternelle que la langue, 2009
Miss.Tic   Best sellers Famous Artists

Painting : aerosol paint, collage, Stencil · 60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch · Ready to hang

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch Height x Width x Depth

Artwork dimensions including frame

66 x 66 x 5 cm 26 x 26 x 2 inch

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Vetted seller since 2016 • Top Seller

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Description

Unique and original work by MISS TIC. Signed and dated. Spray stencil and collage on canvas. This captivating work is created on a collage of torn old advertising posters combining various colored and fragmented papers. In the center, an elegant female silhouette stands out, draped in a black dress, embodying mystery and sophistication. Around it, a dynamic patchwork of vivid shades creates visual tension, ranging from bright pink to deep blue. The provocative inscription, "I only have language as a mother tongue," questions the viewer about identity and personal expression. The contrast between the black silhouette and the multicolored background accentuates the duality between simplicity and complexity. This bold piece challenges traditional conventions and invites reflection on communication and linguistic identity. It brilliantly illustrates the integration of contemporary art and collage, offering a stimulating visual and intellectual experience.

Miss.Tic, Je n'ai de maternelle que la langue

Miss.Tic

France  • 1956  - 2022
3084 followers

Presentation

Miss.Tic, born on February 20, 1956, in Paris, was a pioneering French poet and visual artist, renowned for her stenciled street art that graced the walls of Paris for decades. She passed away on May 22, 2022, but her work, once considered rebellious and illegal, has since gained international recognition and is now featured in major institutions like the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain in Paris. Miss.Tic's work has been celebrated in a retrospective exhibition in Singapore, supported by the French Embassy, further solidifying her legacy.

In the 1980s, amid the rise of urban art, Miss.Tic transformed the streets of Paris into her artistic canvas, particularly in the Butte aux Cailles neighborhood (13th arrondissement). Her public art debut took place in 1985 at Agnès b's Galerie du Jour, where her unique stencils began to take shape. Influenced by her background in graphic design and theatre set design, Miss.Tic's art began to reflect her interest in the eternal feminine and the dynamics of power, often featuring striking female figures paired with thought-provoking slogans.

The 1990s brought both challenges and recognition for Miss.Tic. The rise of street art and tagging culture led to police confrontations, including a notable arrest in 1997 after a work in the Marais district. Despite facing repression, Miss.Tic's bold art gained acceptance in prestigious institutions and collaborated with major fashion brands like Longchamp, Kenzo, and Louis Vuitton, elevating her status in the contemporary art world.

Throughout her career, Miss.Tic participated in numerous solo and group exhibitions in France and internationally, contributing to the institutional recognition of her work. Her creations are now held in major public and private collections, notably at the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain of the City of Paris.

Her work played a significant role in establishing stencil art as a major medium of contemporary urban art. Through her unique combination of poetry, humour, political engagement and street art aesthetics, Miss.Tic remains an essential figure in urban art, stencil art, French contemporary art and feminist art, continuing to influence many artists around the world.

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