L'œil VI, 2024
Painting : oil, acrylic, marker · 100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch · Ready to hang
€1,880
1 880 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 200
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This fascinating painting features a bold blend of geometric shapes and vibrant colors, creating a striking visual effect. The overlapping, intertwined faces dominate the composition, evoking a sense of multiple identities. The angular lines and thick contours highlight the influence of Cubism, while the shades of blue, green, orange, and pink enhance the work's dynamic energy. A central eye, disproportionate to the others, instantly captures the viewer's gaze, adding a mystical dimension. To the left, a stylized flower contrasts with the complex background, suggesting a touch of softness and nature. The innovative use of space and color creates an unexpected harmony, highlighting the singularity and emotional depth of these enigmatic faces. This painting is thought-provoking, prompting reflection on identity and self-perception.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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