Résistance primitive, 2025
Painting : oil, acrylic, marker · 100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch · Ready to hang
€1,880
1 880 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 222
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 80 x 2 cm 39.4 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This artwork, inspired by the Neo-Expressionist movement, is a visual explosion of color and form. At its center, a humanoid figure stands proudly, its features exaggerated by vivid, contrasting colors. The face, an echo of African masks, displays one blue eye and one red eye, symbolizing a striking duality. Square teeth add a primitive, raw touch to the whole. Rigid, energetic black lines trace the silhouette and subdivide the torso into colored squares, creating a bold mosaic. The background, a fusion of pastel shades and graffiti, contrasts with the central figure. The elements intertwine, evoking a contemporary urban cacophony. Each detail tells a story, and the whole exudes a provocative energy that challenges and captivates the viewer, testifying to the power and originality of modern art.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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