Roses in Grey Cloud - floral impasto original large art, 2025
Painting : acrylic, canvas, mixed media · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , canvas , mixed media on canvas
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho
Roses in Grey Cloud is a contemporary abstract floral painting created on a cotton canvas, measuring 100 × 100 cm. The artwork features branches with impasto blossoms in soft shades of pink, white, blue, and green, arranged on a light grey background. The composition combines organic movement with a calm atmosphere, making it suitable for modern interiors and minimalist spaces.
This floral artwork is painted using a palette knife, creating a textured surface with three-dimensional petals. The natural linen structure beneath the acrylic layers adds depth and subtle variation. The painting continues over the edges and arrives ready to hang.
Artwork Details
• Palette knife impasto technique
• Textured 3D petals
• Light grey background with soft transitions
• Painted edges, ready to hang
• Finished with Lascaux UV varnish
Presentation
Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.
Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.
Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.
Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.
Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.
Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.
Reviews from our customers
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