Untitled, 2025
Painting : mixed media · 140 x 180 x 4 cm 55.1 x 70.9 x 1.6 inch · Ready to hang
£672
672 £GB
Shipping & delivery
Shipped from: Georgia
Delivery to: United Kingdom , £ 101
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
140 x 180 x 4 cm 55.1 x 70.9 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This abstract artwork is a captivating interplay of texture and color, commanding attention with its bold composition. The piece features a dynamic blend of earthy tones—primarily muted browns and tans—layered with rich blacks and whites. The rough, uneven application of paint creates a textured surface, evoking an organic, almost geological impression. Splotches and streaks of white seem to dance across the canvas, contrasting sharply with the darker, moody undercurrents. This juxtaposition generates a sense of movement and depth, drawing the viewer into its intricate layers. The work's raw energy and dramatic contrasts make it a remarkable study in abstract expressionism, where chaos and order coexist in harmonious tension. Through its unique handling of materials and balance of colors, this painting invites profound contemplation and emotional engagement.
Presentation
Nino Tolomashvili is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. After completing her schooling, she pursued her studies at the Tbilisi State Academy of Arts. While focusing on painting, she developed a deep interest in abstraction, which eventually became her main mode of artistic expression. Her abstract works are characterized by their rich and diverse textures.
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